Mathew’s ad filmmaking aesthetics and its well-timed hilarity (the mobile-obsessed uncle inquiring “ Aur baaki? Aur baaki? Android?”/”Dengue ke machar raat ko nahi kaat te sir,” points out a correcting voice on the phone/The Legend of ACP Pradyuman/The antics of an Anu Malik enthusiast) ensures its ensemble cast of characters their mini sub-plots and moments don’t drown in the wedding mob even as the viewer cracks up at regular intervals. It documents the ambiance around its central protagonists with such delicacy and deftness the getting to know stage feels more personal than ever.Īlso, these bright, brimming, quirky faces, mostly family members or colleagues of Nikhil and Meeta, contribute a memorable punch to every single scene while remaining at the periphery. Writing is one of the greatest joys about Hasee Toh Phasee. None of their chemistry would dazzle as brightly if Kulkarni’s nuanced script wasn’t as well written as it is.
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Nikhil and Meeta’s conversations - “ do half main ek full se zyada milta hai”-wear a seamless and soothing air, a quality sorely missing from their individual lives. Whenever they’re together in a frame, the silver screen becomes cosy. He’s just a simple, spirited, conscientious guy unable to fulfill people’s expectations of him but never, ever stops trying. The last bit is treated a tad too simplistically and mysteriously so as to not disrupt the rosy picture. She’s also an oddball, an eloper and a drifter who’s developed seriously unhealthy habits. She’s a scientist whose invention mirrors her own unstoppable, bouncing impulses. She’s her daddy’s girl (played with rare grace by Manoj Joshi) who smilingly overlooks her many mischiefs because he appreciates her extraordinary intellect.
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She’s a problem child for her traditional Gujarati household that doesn’t know how to handle her restless brilliance. And the closer you get, the more they win you over. Hasee Toh Phasee is that rare film that allows you to know the two people you’re investing in.
Like it usually happens when you’re in fascinating company. Instead how everything transpires is Hasee Toh Phasee in a nutshell.Įven though there’s a brief backstory to brief us about the temperament of sensitive Nikhil (Siddharth Malhotra) and peculiar Meeta (Parineeti Chopra), Hasee Toh Phasee doesn’t move cut to cut, it progresses gradually without letting us feel how time flies by. These two prolific filmmakers with diametrically dissimilar body of work, along with co-producers, Vikramaditya Motwane and Vikas Bahl jointly spearhead what I found to be a delightful romance comedy.ĭirected by Vinil Mathew and based on Harshavardhan Kulkarni’s story/screenplay, Hasee Toh Phasee takes a familiar premise - two people on the brink of tying the knot and introduces a third party to cause expected stir. She could well be speculating about the outcome of a collaboration between Karan Johar’s spunk and Anurag Kashyap’s ingenuity.
Socho mein idea hoti aur tum technology, humari patang kya mast udti na?” coos Parineeti Chopra in one of Hasee Toh Phasee’s *many* winning scenes. Only it doesn’t happen like it used to, writes Sukanya Verma. Hasee Toh Phasee takes a familiar premise - two people on the brink of tying the knot and introduces a third party to cause expected stir.
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